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RRR Full movie information

It can be safely said that SS Rajamouli is a genre in himself. The kind of environment he creates in his movies- typical visual dramas, larger than life characters and a story that often takes a flight to fantasy- is one of a kind. They may appear illogical at times but the visual grandeur and the extravagance that Rajamouli displays makes film surely 'paisa vasool'. His latest- pre-independence drama- 'RRR' largely falls in the same category - but falls short of being a typical Rajamouli masterpiece.

RRR is powered by spellbinding performances from the lead cast. Jr NTR and Ram Charan excelled in the roles of Bheem and Ram respectively. These two powerhouses combine to fuel the machine i.e., RRR, and they come up with towering performances. NTR’s portrayal of rustic character Bheem, which symbolizes the water element in the film is otherworldly. The same with Charan. He exudes aggression and ruthlessness through the course of the film and elevates the fire element. Both the heroes have come up with career-best performances. Director’s attribution of fire and water to lead characters is not convincing.

Alia Bhatt plays a brief yet impactful role. She is pure class. She lights up the screen whenever she makes an appearance. Ajay Devgan too bags a small yet impactful role. He is at his usual best. Samuthirakani and Shriya deliver what is expected of them in supporting roles. Bheem’s lady interest Olivia Morris is beautiful and emoted really well.

What about off-screen talents?

The captain of the ship, SS Rajamouli is one of the finest Indian filmmakers in this generation. His vision, execution, and grit are of elite quality. It is not easy to execute a project as big as RRR and Rajamouli somewhat manages to reach audience expectations. Emotional quotient of RRR is not on par with Bhaubali series.

The Eternal Jai And Veeru trope. How can you miss the joyful picture of NTR Jr and Ram Charan Teja riding on a motorbike? Their joy is so effervescent, you will find yourself smiling. And yes, if you like motorbikes, you will sigh with pleasure looking at the vintage machines. Yes, there is an overdose of testosterone when the filmmakers introduce the heroes: Ram Charan Teja taking his frustration out on the teardrop speed punching bag, beating up people in a bull-in-china-shop type intro scene which has the British officer say, ‘I am more afraid of him!’ That’s Ram for you all bhakts! But as you’ve seen in the trailers, Ram works for Ravan!

NTR Jr is Jungle Bheem (just a very telling name if you know the Hanuman and Bheem connection!). That intro is one of the best I have seen, despite the testosterone overdose.

Introduction portions that establish the story is a pleasant surprise that has an unique narrative pattern linking with the title. The deep sentiment that’s lying in the core of the subject is conveyed effortlessly at the very beginning and that helps us to instantly attach with the story. The male leads get powerful introduction scenes separately that give us a clear idea about the nature of their characters. The first half runs for 100 minutes and is truly exceptional as there are plenty of terrific stretches and superlative situations. There are many memorable scenes throughout the film that would solidly engage even for a repeat viewing. Crazy ideas packed fluently into the story, everything comes along with a hard-hitting emotion that makes the viewers relish the grandeur. The song placements are great, just the Nattu Nattu song alone carries a truckload of relatable clap-worthy elements. The film doesn’t incorporate the jaw-dropping sequences just for the sake of it, the subject demands such a huge canvas. The visionary filmmaker Rajamouli comfortably hits a century in the first innings, he sets a believable world and the screenplay is watertight without any deviations. He logically moves the story forward with a lot of enjoyable cinematic touches. Credits to the master in writing Vijayendra Prasad, he has penned the basic structure of the film cleverly and the director has brought things beautifully to the large screen. The friendship factor is shown well, discussing their team plan just with hand actions even before they've been introduced to each other is a very much attractive point of the storytelling that conveys they both are on the same page. Even when they part ways, we will be routing and praying for them to get along soon to see them blast as a duo. The interval sequence is remarkable in every aspect, there is a shocking moment that will offer an immense level of goosebumps. The second half slips till a point, falls way short of the first half as the expectations set at the interval mark is sky-high. The backstory of Ram Charan that is presented as a flashback is dragged and feels lengthy, though it has a couple of mass moments, the overall satisfaction is missing in that. Also, there’s one more long-drawn-out face off sequence that consumes too much time. The second half could have easily been better than what it is if these two overly long portions were crisp, they take up like 40 minutes or so. But thankfully, there is a breaking point to the on-going lag where the film gets back the lost momentum. The final forty minutes is amazing, where the action and emotion are combined together skillfully. Clap-worthy mass sequences presented with a magnificent vision and strong emotions conveyed at the correct meter drive the film to glory, despite the lows in the latter.

Performances

Both the heroes have equal scope and screen-time in the story. While Ram Charan is stiff, on the other side Jr.NTR freely flows like water. Ram Charan has understood his character so well and acted, he purposefully doesn’t follow eye contact at certain scenes for a reason and it adds so much value to his character. Jr.NTR’s performance is likeable, he emotes and conveys his innocence nicely. The heroes have a rocking chemistry throughout and their work in all their combination.