Wonder woman 1984 ⭐⭐⭐⭐◻️/5( Hindi/English)

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Wonder Woman 1984 Review: Gal Gadot is in top form, backed up well by Kristen Wiig as the nerdy Barbara Minerva who acquires Wonder Woman-like strength but a two-and-a-half-hour film needs much more.

Patty Jenkins’ 2017 adaptation of Wonder Woman was one of the better superhero movies of the decade and showed that Diana Prince had a lot of good stories to tell on the big screen. Unfortunately, the sequel Wonder Woman 1984 has too many of them to tell and no idea how to do it. The movie has some great ideas about our current moment and rooting them in the excess and avarice of the Reagan 80s, but the plotting is an absolute mess that frequently forgets Diana in favor of confusing villain machinations. All too often, Wonder Woman 1984 becomes a victim of the very excess and shortcuts it seeks to critique even as it tries to uphold truth and sacrifice as central values we must celebrate if we’re to survive.

WW84’s pace is baggy, certainly, and the script isn’t sharp enough, but it’s hard not to draw the conclusion that money, or the allocation of it, has also been an issue. Production values are thin for an action hero spectacular; set pieces are sparse for the runtime; and the primary villain is played by an actor who is best known for his performance behind the helmet of The Mandalorian. WW84 releases online and in cinemas through HBO Max on Christmas Day in the US and in whatever cinemas are open in selected other territories including the UK this weekend. And there’s certainly a pent-up desire for a comic book extravaganza. The original, a delight, took $822m globally in 2017. This follow-up clearly can’t match that, due to constraints; neither can it be deemed a commercial failure, given the circumstances. For once in 2020, the stars may be aligned for a quick getaway.

It all starts off well, much as it began in 2017: an action-packed intro set in Wonder Woman’s Amazonian tribe, led by the warrior Antiope (Robin Wright) and Queen Hippolyta (Connie Nielsen). Here Diana is a precocious child, taking part in an athletic quest and learning the value of the truth (which will later turn out to be “bigger than all of us”).

It’s the present day – 1984 - which turns out to be a little lacklustre despite all the dayglo, as Diana Prince (Gadot) works in the Smithsonian and pines for her true love, aviator Steve Trevor (Chris Pine). She spends her spare time keeping pedestrians safe and foiling jewellery heists in shopping malls.

The arrival of Kristen Wiig as Barbara, a ditzy misfit historian, holds out hope from the get-go: Diana and Barbara form a tentative friendship, and the actors work well together. However WW84 is completely in thrall to Max Lord (Pedro Pascal), a TV personality and a personification of the Greed is Good era who dates from 1980s DC lore. He operates an oil-drilling Ponzi scheme called the Black Gold Cooperative and wants to take over the world via a cheap-looking but magical artefact that arrives in the Smithsonian as part of a consignment of rescued goods. It grants your wish: so Diana asks for Steve to return, while Barbara wants to be more like Diana, and Max just goes for more-more-more. What it does not do, though, is provide enough structure for Jenkins, who co-wrote, on which to hang 150 minutes of screen time.

Max Lord is ultimately a pedestrian supervillain whose only surprise is how much of the film is handed to him. WW84 works much better with women, but the film doesn’t seem to fully appreciate that. We’re aware that Wonder Woman’s foe The Cheetah will make an entrance, as this is heavily advertised in marketing materials. But when? Almost two hours later, is the answer, (and the arrival only prompts unwanted memories of last year’s Cats).

Outside the glorious flashback set piece we find fully grown Diana (Gal Gadot) in the midst of the consumerist 1980s. Hair is big, clothes are bright, commodities are fetishized, women are objectified, and everyone is after a get-rich-quick scheme. Diana is fully integrated into society, working hard in her job at the Smithsonian, while as Woman Woman she’s routinely low-key saving the day, preventing a car crash here, stopping a robbery there.

Diana’s fine, but she’s not happy. Since the death of Steve Trevor (Chris Pine) she’s become something of a loner with few friends. So when dorky new co-worker Barbara Minerva (Kristen Wiig) reaches out to her for companionship she responds in kind.

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